An Amazon Best Book of November 2016: In the days following the publication of Mysteries of Pittsburgh, Michael Chabon traveled to California to sit by his dying grandfather, a typically taciturn and reserved man. But Dilaudid had loosened his tongue, and out came a torrent of remarkable stories of full of secrets, love, pain, sex, and regret. Chabon’s remarkable new “autobiographical novel” Moonglow is mined from, but not limited by, those conversations; as he states in his author’s note at the head of the book: “In preparing this memoir, I have stuck to facts except when facts refused to conform with memory, narrating purpose, or the truth as I prefer to understand it. Wherever liberties have been taken … the reader is assured that they have been taken with due abandon.” The result is a sprawling, yet intensely personal, paean to his grandparents, their lives together and as individuals. World War II and its atrocities cast long shadows, as does the Space Race and the titular moon, which hangs over the story as a bright dream of escape and a dark reminder of failed aspiration. Like The Mysteries of Pittsburgh, Wonder Boys, and especially The Amazing Adventures of Kavalier and Clay, this is classic Chabon: an intensely personal story uplifted by the shifting tectonic plates of truth and memory, floating atop his inimitably crafted, sometimes audacious, always original prose.
Moonglow unfolds as the deathbed confession of a man the narrator refers to only as “my grandfather.” It is a tale of madness, of war and adventure, of sex and marriage and desire, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at midcentury, and, above all, of the destructive impact—and the creative power—of keeping secrets and telling lies. It is a portrait of the difficult but passionate love between the narrator’s grandfather and his grandmother, an enigmatic woman broken by her experience growing up in war-torn France. It is also a tour de force of speculative autobiography in which Chabon devises and reveals a secret history of his own imagination.
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